Friday 29 April 2016

Shoot 9 - Work Diary

Evaluation

In this shoot, I decided to take my model and compose images which composed much more to the front cover of magazines - or advertisements for Beauty and hair products. Due to this, I had to set up the studio in a different way by using studio lighting. This consisted of a range of lights including a Beauty dish, which shone down at at the model to make her face appear more natural. I also used a soft box to light up her hair and to illuminate her clothing. Behind the model I had one studio light highlighting the back of her, and I had to ensure the model was placed directly in front so that it would not be visible. My camera settings involved a shutter speed of 1/100 and an f stop of 25. My ISO was set at 400 which is the amount light sensitivity. As a result of these settings and the positioning of the lights, I managed to come up with images that I found to be striking. With the gold leaf, lips and eyelids standing out amongst the rest of the image. I used the sharpening tool in Photoshop, which allowed me to make the gold leaf crisper and also enabled texture to make it more realistic and less airbrushed. I removed blemishes from the models face and flaws, to make it smoother and conform to the standards expected of the beauty industry. This includes a blemish free skin with an even tone, and a slim face.



There are some images in my shoot which aren't so good due to the way in which the lights were positioned. In some of my images, there is a lack of light and dark shadows underneath the models chin. This creates a dark space, which although creates shadows and gives the image form - it also leaves part of the models body completely blacked out - which blends it into the background. If I was to do a shoot like this again, I would use a reflector underneath which would bounce some of the light off and under to light that part of the models body.


Progression

In my next shoot, I aim to subvert the stereotypes and Laura Mulvey's Male Gaze, and use men in these situations instead of women. I plan to use a topless male, and take pictures of him while he is sprayed in glitter - a stereotypical female object. Instead, I will try and subvert expectations and use a male in the situation of a woman. I hope this will create an effective shoot, and I will try and experiment with also highlighting the male form.


Thursday 28 April 2016

Shoot 8 - Work Diary

Evaluation

Following on from my previous shoot, I decided to use the same model but contrast it with blue colour gels and makeup. As a result of this, I had to reposition the lights as the blue was too strong on one side. Therefore, I used two different shades of blue. On the left hand side, there is a much lighter blue than the dark that emits on the right hand side. The lighting in this shoot was studio lighting with a reflector, there was also a honeycomb filter diffusing the light to make it softer.

This same blue was explored within the makeup, by using a blue mascara and eyeliner and a blue glitter on the lips. Although it may seem like there was a lot of blue used, I like the streaks of lights which emit the colour on the dark background and also the way in which it lights up the sides of her hair. I decided to place the two images below in this work diary, to help explain the way I edited the image. The one on left shows the edited image, in which it is clear I have cropped the image so that there is less blank space. I also enhanced the colour of blue, on her lips - sharpening her face and adding a colour filter to make it appear more natural. One of the biggest differences in these images is the colour of the top. As the red top in this image doesn't relate to the blue colour gels - I decided to change the colour to a light blue. This compliments her skin and the other tones. In the future, if I was to recreate a shoot using the blue - I would use a model with lighter hair and place one of the lights on the front so that it reflects the blue lighting on her face.



Progression

To progress, I want to use the knowledge which I have taken from the two previous shoots with Connie and apply them to work that you would find in a magazine. Having looked up campaigns for MAC and Anastasia Beverly Hills, I have analysed the different shots that they use and the way in which they situate their models while highlighting the product they are trying to sell. I will take on board the different positioning of the model.